- Disobedient Bodies: JW Anderson Curates The Hepworth Wakefield
- Anthea Hamilton Reimagines Kettle's Yard
- Approaching Thunder: 1940s British Prints and Drawings
- György Gordon: From Hungary to Yorkshire, 1924-2005
- The Hepworth Family Gift/Hepworth at Work
- A Contemporary Collection
- Opening June 2017 - Howard Hodgkin: Painting India
- Opening October 2017 - Alina Szapocznikow
Plasters: Casts and Copies
Saturday 2 May 2015 - Sunday 8 May 2016
This exhibition brings together sculptures made over a period of three hundred years to explore the changing artistic significance of plaster. From the 15th century onwards plaster copies were made of ancient sculptures. These were used by art academies to train their students who would study and draw the casts.
Examples of these antique casts from the Royal Academy of Arts will be on display, including plaster versions of the classical works the and These highlight how casts were used before the invention of photography as a means of reproducing works of art for a wide international audience. These historic sculptures will be placed in context with work by contemporary artists including Nick Evans, Anthea Hamilton, Kris Martin, Thomas Schütte and Rebecca Warren and Paloma Varga Weiss.
The exhibition will also address how Barbara Hepworth and her contemporaries used plaster both in the process of creating bronze sculptures and as a material in its own right. A permanent display of plasters and prototypes by Hepworth lies at the heart of The Hepworth Wakefield, showing how she carved and painted her plaster models. This wider exhibition will show examples of earlier works from the 1930s and 40s by Hepworth and her contemporaries. It includes plaster sculptures by artists sucha as Eileen Agar, Jean Arp, Henri Gaudier-Brzeska, Ben Nicholson and Kurt Schwitters.
Supported by The Henry Moore Foundation
Image: Kris Martin, Mandii VIII, 2006 (detail)