- Disobedient Bodies: JW Anderson Curates The Hepworth Wakefield
- Anthea Hamilton Reimagines Kettle's Yard
- Approaching Thunder: 1940s British Prints and Drawings
- György Gordon: From Hungary to Yorkshire, 1924-2005
- The Hepworth Family Gift/Hepworth at Work
- A Contemporary Collection
- Opening June 2017 - Howard Hodgkin: Painting India
- Opening October 2017 - Alina Szapocznikow
16 Feb – 12 May
Linder (born 1954, Liverpool, UK) has been working with the principles of collage for over three decades: from her two-dimensional work on the late 1970s iconic Buzzcocks posters and record sleeves, to more recent collages presented in light-boxes.
For her exhibition at The Hepworth Wakefield, Linder employed collage as two-dimensional prints and three-dimensional light-box sculptures. Drawing on Linder’s research into Barbara Hepworth the new works combined images of ballerinas from the 1970s with natural forms; making reference to Hepworth’s love of dance, and her engagement with the landscape.
The exhibition culminated in a major new performance piece entitled The Ultimate Form that presented collage as a visual and sensory experience using choreography and music.
Listen to Linder's inteview on Radio 4's Today Programme on Sat 2 Feb 2013
Exhibition supported by The Henry Moore Foundation